Helmed by Bristol sound co-founder Geoff Barrow, this scabrous though undernourished debut feature turns a sceptical eye on 90s rave culture. Venal drug user David (the actor) initially steals from an unconscious dealer, then in another flashback tries to break into his own family home. In no time, he's overturned in the remains of his car in a woodland – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Declining to free David, with impatience toward city dwellers, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to free himself from his seatbelt, while awkwardly transitioning into flashbacks of his normal activities. The bigger point – that the ecstasy generation were mainly focused on number one – is firmly made. But these vignettes are insufficiently developed to properly prime us for what to expect when the Poacher arrives, enraged after David strangles his dog. Nevertheless, a darkly funny duel takes hold – David eager to get away; the Woodsman withholding his jerrycan of scrumpy, determined to soaking him instead in resentful talk. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Vibe
There is only one important plot development, but it results in a comically executed chaotic run on the forest trails that veers toward folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of insects in the light in the opening part, he now lets rip with the full lysergic grand display, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
The film releases in UK and Irish theaters from November 17.